Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.
低音管接着发出安转折信号,带出了漫游式主题。同时转变为最弱音十六分音符伴奏。
Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.
低音管接着发出安转折信号,带出了漫游式主题。同时转变为最弱音十六分音符伴奏。
A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.
独奏者敲出一个几乎听不清使用最强音十六分音符七连音和弦和两个狂燥滑音,然后,和铜管部分在五个不同G上结束了本乐章。
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