Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静折信号，带出了漫游式主题。同时变为最弱十六分伴奏。

A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.

独奏者敲出一个几乎听不清使用最强十六分七连和弦和两个狂燥滑，然后，和铜管部分在五个不同G上结束了本乐章。