Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了的钢琴主题。同时钢琴转变为最弱的十六分符的伴奏。

A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.

独奏者敲出乎听不清的使用最强的十六分符七连和弦和两狂燥的滑，然后，钢琴和铜管部分在五不同的G上结束了本乐章。