Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛莎——他模特儿，他和他爱妻——进了戛纳城不起眼别墅“乐博凯斯”。

Invisible Blades enjoy cultivating misconceptions about the level of danger they present, and they relish any chance to demonstrate that the most unimposing weapons can be the most lethal.

他们在这类武器使用方面训练让他们同全副武装战士同样有威胁。