And in this particular opera we have a famous aria.

而在这部歌剧中 有着名的。

Now we're going to focus on four sopranos singing the same aria by way of comparison here.

现在我们来听四位女高音唱同一来比较一下。

Vishnevskaya made her American debut in 1960, the same year she recorded this aria for Madama Butterfly.

维什涅芙丝卡娅1960年上美国舞台，同年她录制了《蝴蝶夫人》的。

So a recitative will be--and indeed all the arias will be accompanied by basso continuo.

宣叙 实际上还有所有的都是由持续低音伴奏。

So Lauren, can you tell us something about this aria? Who's singing it?

劳伦 你能否讲讲这的背景例如这是哪个角唱的？

This difficult aria gives a good example of the sweet and expressive voice that made Beverly Sills famous.

这有难度的是展现希尔斯甜美而富有表现力的声音的一个很好的例子，正是这幅嗓音让她成名。

Humidity seeps through the sultry rhythm of George Gershwin's aria.

乔治·格什温 (George Gershwin) 的闷热的节奏中渗入了湿气。

As he finished the aria, there was silence.

当他唱完时，全场一片寂静。

When he finished singing the aria, he heard someone applauding.

当他唱完时，他听到有人鼓掌。

So in an aria, the singer will start talking about love and then the second part will talk about sadness.

因此，在中，歌手先开始谈论爱情，然后第二部分将谈论悲伤。

Or that Mrs. Menendez had caught him belting out an aria.

或者梅南德斯夫人发现他高唱。

While bel canto singers require versatile vocal folds to vault through acrobatic arias.

而美声歌手需要多才多艺的声带才能在杂技中跳跃。

Puccini's delightful arias seem to capture the spirit of this wonderful corner of Italy.

普契尼 (Puccini) 令人愉悦的似乎抓住了意大利这个美妙角落的精神。

In the aria, she's both accusing Jason of cruelty and begging him for pity.

在中，她既指责杰森残忍，又恳求他怜悯。

You taught aria how to ride a bike. That's plenty.

你教会了艾瑞亚骑车 我们印象深刻。

It was " Nessun Dorma, " an aria from Turandot , a famous opera.

这是著名歌剧《图兰朵》中的“今夜无人入睡”。

" I love his recording of 'Nessun Dorma.' Nobody can sing that aria like Pavarotti." Mrs. Menendez sighed.

“我喜欢他录制的《今夜无人入眠》。”没有人能像帕瓦罗蒂那样唱出这。”梅嫩德斯夫人了口气。

It was a tradition at Leonardo's bar and grill, an hour before closing time, a waiter would sing a selection of ridiculously depressing Italian arias.

Leonardo烧烤酒吧有这么一个传统，打烊前的一个小时，一位服务员要唱一系列的悲情的意大利。

It's an aria-- and we'll talk about what an aria is later-- but it's an aria from his opera Gianni Schicchi.

这是 我们以后再说什么是这是他的歌剧《贾尼斯基基》的一段。

But the tingling sublimity which we feel in the Queen of the Night’s aria no longer reflects a yearning for order, but a sense of our littleness in the face of immensity.

但是，我们从夜女王刺耳的中听到的庄严，不再反映对秩序的向往，而是我们在面对巨大时的渺小。